Wednesday, January 11, 2012

Nikon 35mm f/1.8G AF-S DX Lens for Nikon Digital SLR Cameras

!±8± Nikon 35mm f/1.8G AF-S DX Lens for Nikon Digital SLR Cameras

Brand : Nikon | Rate : | Price : $199.95
Post Date : Jan 11, 2012 04:15:14 | Usually ships in 1-2 business days

The AF-S DX Nikkor 35mm f/1.8G optical design allows a different look and feel to images taken with zoom lenses, and its dimensions are ideal for discrete snapshots and landscape shooting with a picture angle that approximates that of the human eye. With its rounded seven-blade diaphragm opening, out-of-focus elements appear more natural. When mounted on a DX-format SLR, the picture angle is the 35mm equivalent focal length of 50mm.

  • Engineered for Nikon DX-format digital SLRs - Optical formula optimized for use with Nikon DX-format digital SLRs.
  • Aspherical lens element minimizes coma and other types of lens aberrations, further improving image integrity
  • Nikon Super Integrated Coating (SIC) enhances light transmission efficiency and offers superior color consistency and reduced flare
  • The exclusive Nikon Silent Wave Motor (SWM) enables fast, accurate and quiet autofocus
  • Close focusing to one foot for creative perspectives and versatility

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Sunday, January 8, 2012

Understanding Digital SLR Megapixels, Lenses and Resolutions Digital SLR Camera Features

!±8± Understanding Digital SLR Megapixels, Lenses and Resolutions Digital SLR Camera Features

When you're looking at the specs of a DSLR camera, the list can be overwhelming, full of technical details and specifications. If you tried looking for reviews and ratings of digital cameras, you will feel very confused trying to make heads and tails of all the opinions that customers are sharing.

But if you do take the time and manage to sift through all that information, you will be able to make the best choice.

What Is It?

What exactly is the difference between a SLR and other digital cameras? Why are you looking to buy a SLR and not a compact or a subcompact? You should ask yourself these questions before you spend the money.

For example, you should know what a megapixel does before you buy a SLR digital camera based on the number of megapixels alone. The number of megapixels indicate how big is the camera's resolution (the number of light pixels in a given space).

The bigger the number of pixels, the clearer and sharper is the image. They can get pricey though, so the key is to find one that has a good price and a sufficient quality image.

Just because a digital camera has a lot of pixels, it doesn't mean that the photo quality is guaranteed. If there are too many pixels, and the sensor isn't big enough, the photos can look over-pixilated or unnatural.

An example could be the shadows from the picture, which could be too detailed if the pixel rate is high. Every time you look at a different camera, make sure you check the pixel rates and the resolution.

You might be curious what exactly does SLR means. SLR comes from "single-lens reflex". This digital camera has a small mirror that moves between the film and the lens. Then it uses the lens to project the image on the focusing screen. There are a lot of SLR digital cameras available, from all manufacturers. Two examples of SLR cameras are Nikon D70 and those from Canon.


Understanding Digital SLR Megapixels, Lenses and Resolutions Digital SLR Camera Features

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Wednesday, January 4, 2012

Telephoto Lenses Are a "Must Have" Tool For Digital SLR Cameras

!±8± Telephoto Lenses Are a "Must Have" Tool For Digital SLR Cameras

It's useful to think of telephoto lenses as telescopes for your digital SLR camera. Like a telescope, a telephoto lens enlarges your subject, bringing it closer and making it appear larger in your viewfinder and on your camera's digital sensor.

Lenses with a focal length longer than that of a 50mm standard lens can be classed as telephotos. In practice though, 85mm is regarded as the shortest telephoto focal length for fixed or prime lenses, while for telephoto zoom lenses, the short end of the telephoto range starts around 70mm, as in a 70-200mm telephoto zoom.

The longer the focal length of a lens, the greater its magnification. Thus a 100mm telephoto lens gives twice the magnification of a 50mm standard lens. In practice, this means the subject's height and width in the viewfinder - and hence on the digital sensor or film - is doubled when you attach a 100mm lens to the camera. Similarly, a 400mm telephoto lens gives eight times (x8) the magnification of a standard lens.

If you're on safari and there's a big male lion staring at you from 50m away, he's going to appear very small in the viewfinder with a 50mm lens on your digital SLR. Change that to a 500mm telephoto lens, and the lion is magnified 10 times. Now he nearly fills the frame and you can even see the scars on his face and the piercing yellow eyes boring into you.

From the above example, it should be clear that telephoto lenses prove invaluable when you can't get near enough to the subject you're photographing. With a tele lens you can, for example, take sports shots from the sidelines or shoot pictures of wild animals from the safety of a vehicle or hide.

They're also very handy for taking candid shots of children, for reportage, or any other situation where you want to remain inconspicuous, as they allow you to shoot unnoticed while you're some distance from your subject.

Medium telephotos in the 85 to 105mm range are also highly prized as portrait lenses as they tend to flatter the subject and allow a shallow depth of field that throws distracting backgrounds out of focus.

Prime v Zoom Telephoto Lenses

Telephoto lenses fall into two main categories:

1. Fixed focal length, or prime, telephotos
2. Zoom telephotos, offering variable focal length

1. Prime telephotos offer optimum image quality because they have fewer lens elements, so fewer compromises have to be made. Their main disadvantage is the fixed focal length, limiting your options when composing the shot.

When photographing fast moving subjects, as in sport or wildlife, you can find the subject suddenly looming too large in the viewfinder. Fixed focal length telephotos can also be large, heavy, and expensive.

They are nevertheless the first choice for professional sports, news, and wildlife photographers because the image quality can't be beaten and they offer wider maximum apertures than zoom lenses of equivalent focal length.

This allows for shooting in low light conditions, which is often a necessity for professional photographers in the following situations:

* shooting sports under artificial lighting at night, or at indoor arenas;
* wildlife photographers shooting early in the morning or late afternoon when the animals are most active and the light is soft and less contrasty;
* news photographers when shooting under a variety of breaking news situations, when they may be too far from the subject to use flash or want a more natural look to their images from available light.

Within the family of prime telephoto lenses, some of the most prized are:

* 600mm f/4.0 -- for wildlife and sports such as surfing and cricket where these huge lenses can be firmly attached to a heavy tripod to keep them steady.
* 300mm f/2.8 -- a brilliant lens for wildlife and sport because of the wide maximum aperture combined with smaller size and weight that makes it easier to use on a monopod, giving the photographer more freedom of movement. These lenses can also be used with matching tele converters or extenders to increase the focal length without a sacrifice in size or weight.
* 85mm portrait lenses with wide f/1.2 maximum aperture that are also good for indoor sports or low light situations such as concerts or theater.

2. Zoom telephotos are hugely popular because of their versatility and often affordable price tag. Lens technology has improved dramatically in recent years and today's top-of-the-range zoom lenses compare favorably with prime lenses when it comes to image quality.

For all-round usefulness, combined with affordability and very acceptable image quality, telephoto zoom lenses are a "must-have" lens for most photographers as it costs a lot less buying one zoom lens than two (or three) prime lenses to cover the same range of focal lengths.

Popular zoom telephoto lenses include:

* Professional quality 70-200mm f/2.8 telephoto zooms
* 80-400 or 100-400 f/4.5-5.6 telephoto zooms
* More affordable 70-300mm f/4.5-5.6 telephoto zooms.

Whatever your situation, whether beginner or veteran photographer, telephoto lenses are invaluable tools that greatly increase the chances of capturing remarkable images with your digital SLR camera.


Telephoto Lenses Are a "Must Have" Tool For Digital SLR Cameras

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